3D modelling brings fashion archive to virtual life
RMIT Design Archives
3d modelling | exhibit design
As part of Melbourne Design Week, the RMIT Design Archives hosted a series of events that showcased the first public viewing of works by Clarence Chai, a Singapore-born designer based in Melbourne who pioneered independent, underground youth fashion during the 1970s and 1980s. The gallery’s window exhibition paid tribute to Chai’s unconventional approach, reflecting his innovative methods that challenged traditional fashion norms.
To support the installation, I developed a 3D model of the exhibition space, which became a crucial tool for visualising and refining the display. This model not only helped optimise the physical layout but also acted as a virtual tour, enabling audiences to engage with the collection remotely. The digital approach proved especially valuable for coordinating multiple stakeholders, streamlining communication, and ensuring inclusive access to the exhibition.
By integrating 3D modelling into the design process, I contributed to a more immersive and accessible exhibition experience, reinforcing the impact of Clarence Chai’s visionary work within Melbourne’s design history.
Collaboration: Fan Chen, Chenxu Gao, Tanya Gidwani, Jinge (Evelyn) Han, Mudra Patel, Elisabeth Hougaard, Yuting Jiao, Jijia (J.J.) Jin, Siyan Liang, Mengxuan Li, Kin Pan (Hayman) Lo, Muskaan Nagar, Sheereen Perrin, Natasya Rustam, Yanan Tao, Yilun (Sharon) Xiao, Luyang (Lulu) Xu, John Ze Yuan Yin, Ann Carew, Simone Rule, Tim McLeod, Fayen d'Evie and Noel Waite.
3D modelling brings fashion archive to virtual life
RMIT Design Archives
3d modelling | exhibit design
As part of Melbourne Design Week, the RMIT Design Archives hosted a series of events that showcased the first public viewing of works by Clarence Chai, a Singapore-born designer based in Melbourne who pioneered independent, underground youth fashion during the 1970s and 1980s. The gallery’s window exhibition paid tribute to Chai’s unconventional approach, reflecting his innovative methods that challenged traditional fashion norms.
To support the installation, I developed a 3D model of the exhibition space, which became a crucial tool for visualising and refining the display. This model not only helped optimise the physical layout but also acted as a virtual tour, enabling audiences to engage with the collection remotely. The digital approach proved especially valuable for coordinating multiple stakeholders, streamlining communication, and ensuring inclusive access to the exhibition.
By integrating 3D modelling into the design process, I contributed to a more immersive and accessible exhibition experience, reinforcing the impact of Clarence Chai’s visionary work within Melbourne’s design history.
Collaboration: Fan Chen, Chenxu Gao, Tanya Gidwani, Jinge (Evelyn) Han, Mudra Patel, Elisabeth Hougaard, Yuting Jiao, Jijia (J.J.) Jin, Siyan Liang, Mengxuan Li, Kin Pan (Hayman) Lo, Muskaan Nagar, Sheereen Perrin, Natasya Rustam, Yanan Tao, Yilun (Sharon) Xiao, Luyang (Lulu) Xu, John Ze Yuan Yin, Ann Carew, Simone Rule, Tim McLeod, Fayen d'Evie and Noel Waite.
3D modelling brings fashion archive to virtual life
RMIT Design Archives
3d modelling | exhibit design
As part of Melbourne Design Week, the RMIT Design Archives hosted a series of events that showcased the first public viewing of works by Clarence Chai, a Singapore-born designer based in Melbourne who pioneered independent, underground youth fashion during the 1970s and 1980s. The gallery’s window exhibition paid tribute to Chai’s unconventional approach, reflecting his innovative methods that challenged traditional fashion norms.
To support the installation, I developed a 3D model of the exhibition space, which became a crucial tool for visualising and refining the display. This model not only helped optimise the physical layout but also acted as a virtual tour, enabling audiences to engage with the collection remotely. The digital approach proved especially valuable for coordinating multiple stakeholders, streamlining communication, and ensuring inclusive access to the exhibition.
By integrating 3D modelling into the design process, I contributed to a more immersive and accessible exhibition experience, reinforcing the impact of Clarence Chai’s visionary work within Melbourne’s design history.
Collaboration: Fan Chen, Chenxu Gao, Tanya Gidwani, Jinge (Evelyn) Han, Mudra Patel, Elisabeth Hougaard, Yuting Jiao, Jijia (J.J.) Jin, Siyan Liang, Mengxuan Li, Kin Pan (Hayman) Lo, Muskaan Nagar, Sheereen Perrin, Natasya Rustam, Yanan Tao, Yilun (Sharon) Xiao, Luyang (Lulu) Xu, John Ze Yuan Yin, Ann Carew, Simone Rule, Tim McLeod, Fayen d'Evie and Noel Waite.








